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At the film’s outset, teenage soulboys and pirate DJs Chris (Valentine Nonyela) and Caz (Mo Sesay) are unwittingly drawn into the murder investigation of one of their gay friends, TJ (Shyro Chung).

As the drama unfolds, racial tension, youth subculture clashes, generational divides and homophobia come to the fore of Young Soul Rebels’ narrative, as the career-minded Chris begins a relationship with commercial radio worker Tracy (Sophie Okonedo) and Caz becomes romantically involved with gay punk Billibud (Jason Durr).

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As brief as Jo and Jimmy’s interracial relationship may have been, its onscreen depiction was progressive for the time, as was the representation of Jo’s close friendship with Geoffrey.Jo’s fleeting experience of young love is anything but a dream come true, but it is life-changing.For the generation who were experiencing their formative years in the early 80s, Bill Forsyth’s loveable romantic comedy, Gregory’s Girl, would have struck a very recognisable chord.The beauty of Forsyth’s enduringly popular, self-penned narrative, though, is that despite its very particular place and time, its themes cross cultures, genders, generations and eras.Fantasy, reality and a dash of absurdist humour course through Skolimowski’s film, with visual symbolism and foreshadowing pointing to Deep End’s unsettling climax.

Rarely has young love been so strikingly portrayed in British cinema.When you or your family is presented with legal issues involving Children Services hiring an experienced attorney to defend your family’s best interests is essential.Despetorich Law Offices, LLC can provide your family with the guidance needed to effectively and efficiently get through the often complicated and complex issues of custody battles.A significant contribution to the British New Wave, A Taste of Honey was, for the time, an unfamiliar look at the turbulent life of working class 17-year-old Jo (Rita Tushingham).Looking for love and security, Jo falls for and falls pregnant by a black sailor, Jimmy (Paul Danquah), before going on to share a flat with her gay co-worker, Geoffrey (Murray Melvin).Those heady, hormonal days of being young and in love have proved to be fertile territory for British cinema, with many classic films centring on the turbulent romances of adolescents from all walks of life. After the teenager became a culturally significant demographic in the 50s and the British New Wave began telling unvarnished stories of working class life, British films geared towards or about the country’s youth, and their increasingly racy love lives, began to appear onscreen.