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The prevailing explanation is that production was temporarily interrupted during these months as they coincide with the debut of Fender's new "flagship" or top of the line amplifier, the Fender Vibrasonic-Amp. kept the image of the Twin-Amp before potential consumers during this short period.The image of the Twin-Amp in the 1960 Fender Catalog has been the subject of considerable scrutiny.After a slight change in appearance, from the rough blonde tolex and maroon grille appearance to a smooth blonde tolex with a gold grille cloth, the Twin-Amp was replaced with the Twin Reverb-Amp in 1963.

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Like its predecessors, the narrow panel tweed Fender amplifiers used Jensen Alnico V Concert Series Speakers, for the most part, although a JBL 15" speaker was available on special order for the Pro model.It was modified in 1958 for more volume, switching to four 5881 power tubes with the more efficient long-tailed pair phase inverter for a power increase to 80W.The entire line of Fender amplifiers from 1955 to 1959 (later for smaller models and Bassman) was uniform in this look—tweed or "airline linen" covering with a maroon with gold stripe woven saran grill cloth.The 1×12 Deluxe-Amp, the 1×15 Pro-Amp and the 3×10 Bandmaster are exceptional in dynamics and tone.The Fender Twin is a guitar amplifier made by Fender.

It was introduced in 1952, two years before Fender began selling Stratocaster electric guitars.The controls have black-skirted knobs numbered from 1 to 10.The Normal channel has two inputs, a "bright" switch (which compensates for loss of brightness through the volume control when the control is set lower than about "6" on its 1-10 scale), a volume control, treble, middle and bass tone controls.Several variations on the amp's original design have been produced through the years, including the Twin Reverb, the Super Twin, the Twin Reverb II, and the Twin Reverb '65 Reissue.The Cyber Twin, which combined a tube amp with a computerized processor, was introduced in January 2001.This "hi-powered," tweed-covered design continued into early 1960, after the other Professional Series of Fender amplifiers had made the transition to the modern brownface design.